DESYGNATY I AKCYDENSY ART EXHIBITION AT ICS

Hiring and Careers – Contemporary Art Exhibition
Opening / opening of the exhibition:
Friday: May 20 2022, 6:30 PM – 20:30 PM

Alternative Music – Concerts in Tri-City

Place of implementation: CYBERNETICS OF ART AND SPIŻ 7 GALLERY in GDAŃSK OSOWIE,
UL KOMANDORSKA 26, BUILDING A AND BUILDING B
(Building B on opening day during opening)
Improving concert performance, musical activities and performance/direction at opening

Exhibition Duration: 2122 May,
Saturday, 4:00 PM – 7:00 PM

Artists: Alsiya, Jacob Belowski, Sibol Bigspool, Joan Cherkas, Mikojaj Dobbies, Tomic Jadeki, Dorota Grupa: Alice Becker Ho + Guy Debord, Partek Jarnichomkibord .

Organization: Fundacja Tysiąc Najajszej Słońc / TNS
Artistic curator, concept: Dr. Marek Rogolsky
Organizational cooperation: d. Dorota Group – Teddy, Dr. Hap. Matthews Book
Collaboration partners: ASP Gdańsk, CSW Łaźnia, Academy of Humanities and Economics in ódź – AHE ódź,
Editing: Marek Rogolski, founder of Tysiąc Najściszej Słońc / TNS
Graphic Design: Tomasz Pawluczuk
Sponsored by: Polish Institute for Studies of International Art, Art and Criticism
The exhibition was co-financed by the city of Gdansk.

Contemporary Art Gallery

free entry
Participation rules in accordance with the principles of combating the COVID-19 pandemic

Designs and Activities

A problematic gallery of contemporary art, performance, the national scale of concerts, the national designation of any specific object that matches the name, or more precisely, everything marked with a certain symbol. Incidents – discrete (altered states of consciousness) and in the theory of perception as well: properties are irrelevant. According to Thomas Kuhn’s sociological theory, the nature of the social world and the type of theory it requires have profound implications for the way theoretical data is generated and how it relates to theoretical schemas. Human social behavior is regulated by a symbolic designation of all aspects of the environment, both physical and social (S. Stryker). Art without politics (understood as conditions of social reality) cannot exist, but it is different and relatively independent – just like a soul without a moving body cannot exist, but is different and independent of purely physical processes (A. Chmielecki). In the above context, we can assume that artistic activity can be viewed as the process of creating and identifying patterns of activity that relate to the social conditioning of the concept of art forms and manifestations, as well as attitudes and goals. So it’s a question of what value you give
In the social process of artistic activity. If we really want to describe man as a cognitive system, we must study his value system; This system is one of the main regulators of human activities. (Kozeliki) If social context is so important in interpreting artistic activities, when we already have this knowledge, how do we want to use it? How do you study the phenomena and phenomena of art? How does artistic expression coincide with the experience (necessity) rooted in the social dimension? How awareness of the passage of time and memories gives you the ability to observe yourself and the process going on inside your mind (the intruder problem). How can unrelated, lateral, and job-related things, through artworks, influence the way reality is perceived, form new concepts and build social imaginations, and ultimately change the composition of elements considered important in culture?
Marek Rogolsky ICS / TNS / AHE

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